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DIABLO CARVED TOP AUDIO SAMPLES
The carved top Fibonacci Diablo, is slightly deeper than the laminated one at 76mm. It is fitted as standard with a floating Kent Armstrong 7.9k 'Slimbucker', but can be custom fitted with a OX4 handwound set-in hum bucker floating Jon Dickinson or Krivo pickup. CTS audio & tone pots, Switchcraft mono output jack, and WD oil & paper 0.33 cap. Thomastik Infield 12 - 52 flatwounds. Please select the audio sample below to listen to some more wonderful playing by Nigel Price and Les Davidson. Recorded at Black Dog Studios, London
CARVED TOP DIABLO IN OIL, KRIVO PICKUP - Performed by Nigel Price
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Acoustic recording using ambient JZ-V67, AEA 484 mics, SESSION amp, Neve 1081pre amp, Roger Meyer DI, RM68 Mic Pre, RM58 Ltmr, RM456HD, Lavry Blue A/D conversion.
CARVED TOP DIABLO IN OIL, KRIVO PICKUP - Performed by Nigel Price
00:0000:00
Acoustic recording using ambient JZ-V67, AEA 484 mics, SESSION amp, Neve 1081pre amp, Roger Meyer DI, RM68 Mic Pre, RM58 Ltmr, RM456HD, Lavry Blue A/D conversion.
CARVED TOP DIABLO IN OIL, KRIVO PICKUP - Performed by Nigel Price
00:0000:00
Acoustic recording using ambient JZ-V67, AEA 484 mics, SESSION amp, Neve 1081pre amp, Roger Meyer DI, RM68 Mic Pre, RM58 Ltmr, RM456HD, Lavry Blue A/D conversion.
CARVED TOP DIABLO IN OIL DRY AMBIENT ACOUSTIC MIC - Performed by Nigel Price
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The track 'NIGHT & DAY', dry acoustic recording using ambient SE Electronics SE2200a on the body and an AKG C3000 on the neck, LOGIK A/D conversion
CARVED TOP DIABLO IN OIL DRY AMBIENT ACOUSTIC MIC - Performed by Nigel Price
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The track 'OLD FOLKS', dry acoustic recording using ambient SE Electronics SE2200a on the body and an AKG C3000 on the neck, LOGIK A/D conversion
CARVED TOP DIABLO AMPLIFIED DRY MIC FLOATING KA 'SLIMBUCKER' - Performed by Les Davidson
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Amplified recording using Matchless '96 HC30, Zilla Cab, Pre Rolla Celestian Greenbacks, ambient AKG 414 & '57 Shure mic, Roger Meyer RM456 pre amp, Thermionic Culture Phoenix compression, Lavry Blue A/D conversion.
All Rights Reserved to the original mechanical copyright holder of these recordings.
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